Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Monday, 13 February 2012

Photo Gear Desire: Vol.1 of Endless...

My first SLR ever was the Canon T70, with a few other learner bodies like Pentax K-1000 with Ricoh lenses, the Nikon FE2 (which I loved!!), and my first year as SeBiArt, I used the Canon EOS Rebel T1i. Though the Nikon FE2 in particular is still a hot collectors item - it's  amazing to see how much these cams have dropped in value over the years.  I'm now firmly planted in the Nikon system but if I had $$$ druthers I'd have multiple systems - Leica, Hasselblad, and Canon.  

I  spent much of last year salivating over the Canon EOS SLR D series - specifically the 1D-X.... and after I rented 5D system + lenses for a video and stills theater assignment I thought I'd die if I didn't own this machine. 

But now...Nikon just dropped this on us - the new D800+D800E and I'm near asphyxiation:













Tuesday, 27 September 2011

Acting in Evolution

This is new kind of share (and update for some of you) about a most timely and beautiful opportunity I had this summer.  I'm always going on about 'the journey' and usually a very internal and personal one at that - with the occassional dash of work/professional news.  But as these two aspects of our lives are intrinsically tied - I must share this recent and particularly meaningful connection. 


I have been excavating a whole heap of stuff over the past couple of years, and one aspect of my past has been left unexplored:  acting.  It's kinda ironic, but not entirely uncommon, to find myself on a professional journey that has little to do with my course of study in college: Theater Arts.  I have certainly created real connections between this and photography, in so far as how I develop my work, and how I attempt to go about the business of creating it.  The principles of collaboration that I seek always to work by, come directly from the culture of the theater world.  But acting - well, this I have not done for some years now. As I often would put it when it came up:  I haven't spoken text on stage/on camera for....  

As I've been on my other artistic explorations, I've missed acting, not sharply mind you, but rather, I've been aware of its absence as a form of expression.


My friend Danae Grandison, another soul-searcher/explorer and accomplished graphic designer, decided to switch gears and explore the artform of film making.  Her first film, Unconditional Love, is a work straight from the highway of personal explorations, directly from the heart, a beautiful distillation of what it means to come out on the other end of a growth passage emotionally in tact, and in fact, to find yourself utterly in love with life and all the vicissitudes therein; to arrive at acceptance, wonderment, and open curiosity to what comes next.  We can only be in such a place when we are willing to release the past, and thus the expectations it invariably breeds for the future.  


I auditioned at precisely the right time for the part in this 2 minute short - when I could understand the meaning of such a personal evolution.  It was also therefore, the right project to bring me back to this art form.  Oh the connectivity!  


Danae's work premiered at SVA (School of Visual Arts) at the end of her film course this past August, and she received the Audience Award for her work.  I was so chuffed too of course - haha! 


Here's our Labour of Love - which was shot in the New York City heat wave of 115ºF!  Not easy, but totally cathartic.  Thank you for this journey Danae!








 
Unconditional Love from Danae Grandison on Vimeo.
Time to release the bags you collect along the way...

Featuring Berette Macaulay
Written and Directed by Danae Grandison
Edited by David Lee

Thursday, 20 May 2010

SeBiArt Film Screening in San Francisco!

Hey guys,

Real quick and at the last minute too (what a surprise!)  - my little creative short is getting screened at the AFP's Shorts & Beats Festival Vol VI in San Francisco this weekend! 

The festival is at PROJECT ONE (http://www.p1sf.com/) and will feature several shorts from emerging and established filmmakers and video artists from NYC and SF.  The film program is curated by award winning filmmaker Daniel Maldonado of Gashouse Films. There will also be nightlong interludes of deep & funky tunes spun by New York and San Fran DJs.    Fun times!  If you're there - check out the flyer on info for tickets. 

Thanks for supportin'!  


RELATED JOURNEY POSTS: LABYRINTH of FOREVER: Doorway for the Spirit Chasers (Feb 2010)

Saturday, 20 February 2010

LABYRINTH of FOREVER: Doorway for the Spirit Chasers


So I'm doing it again. I've entered the annual Art For Progress competition: Clash of the Artists 2010 and I need YOUR VOTE 

It's a small annual global contest with a handful of competitive categories: Visual Art, Music, Film, Fashion, DJ, and CreativeI've put a video in the Creative category.   Some of you may remember I won this back in 2008 with a video presentation of my photo series SPLIT.  

This video is a new edit of work I directed (shot by Fury Young) last Spring.  I prepared a treatment and scripted scenes for this a couple years ago, originally to be part of my CrowDeD series.


I then adapted it for a projection piece used in a 30 minute dance performance at Nina Buisson's Avant Garde Festival in June 09'. 

It's a much shorter edit now, at 7 mins, with the new title, LABYRINTH of FOREVER: Doorway for the Spirit Chasers. Mystic Urchin supplemented it with some great text too! I hope you like it. 

Please click the links to vote - when you get there, scroll down on the Art for Progress Creative voting page to find my video.  Thanks y'all!


NOTE: You will be sent a confirmation email with link that you need to click on or your vote won't go through. 


---
VOTE FOR THIS VIDEO


LABYRINTH of FOREVER: Doorway for the Spirit Chasers from SeBiArt on Vimeo.

|excerpt|

the promise of forever frightens us,
threatening to bury us
in an immeasurable matrix
of darkness…

hold to your frequency
to live forever



~Mystic Urchin~



CREDITS:

Art and Film Direction by Berette Macaulay

Performers in Order of Appearance:
Maki Shinagawa
Cristal Albornoz
Berette Macaulay

Shot by Fury Young

Text by Steve ‘Urchin’ Wilson

Painting and Costumes by Cristal Albornoz

Additional photography SeBiArt

Film, Sound, and Text Editing by Berette Macaulay

A SeBiArt Production.



*Add'l Behind the Hidden Gate colour foto inserts I promised in a recent post.



RELATED JOURNEY POSTS: 

Saturday, 12 December 2009

Odic Birthday Message from a dear friend







God looked down admiringly, exclaimed "Nothing could be fine-ah!"
"Than the sassy smart and sweet lil babe I just forced out that vagina!"
She knew not then her destiny nor recalled the moment prior
When God had asked her to descend to stir up quite a fire
"Blaze not with rage but warmth and light for this is what is needed"
"It will take some time to figure out, to get the garden weeded"
So, each year, when the day arrives that marks your popping out
Know you are light and not mistakes, and know this with no doubt



by Mark Pergola
 
Thank you Marky-boo!  I love you SO MUCH!

Saturday, 31 January 2009

The Black List Project and the conversations it provokes..

I must sleep and digest what I just saw and heard at the Brooklyn Museum today - and then return to this entry. But for starters - I was invited by another female photographer of color, Amanda Adams Louis, to attend a special event, a panel discussion "What's Black Got To Do with It?" at the Iris and B. Gerald Cantor Auditorium. The summary of this was as follows:

This panel discussion, moderated by Elvis Mitchell, interviewer for The Black List Project, continues the exhibition’s consideration of how race, history, and each individual's striving shape and enrich their stories of success. The discussion will center on what the next four years might hold for Black women now that First Lady Obama and her daughters have moved into the White House. Panelists will include Studio Museum in Harlem Director and Chief Curator Thelma Golden, acclaimed artist Lorna Simpson , and CNN Entertainment Correspondent Lola Ogunnaike.

I had wanted very much to see this project featuring large format portraits by Timothy Greenfield Saunders - so the topic of discussion was simply an added bonus. Sitting in that auditorium and listening to these women, and to Elvis Mitchell, made me realize and remember a simple truth...it is really important to congregate, to gather and share your experience. I heard things that I thought in my self imposed isolation were my own concerns or observations. Gosh what a shock to realize how common it was that women of color do so revel in Michelle Obamas skin tone and features, and what meaning it brings to how we feel we will be perceived henceforth.



There were many areas of discussion enveloped in the question of "What's Black Got to do with it?" such as:

-How we will weather the complete destabilization, well, destruction of our federal funding for the arts, and how that will challenge particularly non-commercial artists of color. Lorna Simpson made some incredible points about the technological inequities that exist, where access and ability to participate in the new world of internet exposure is sharply limited among people of color, particularly in the poor nations of the world, in Africa and the Caribbean. The irony is that its much cheaper to get your work seen in today's digital world - but you must have access to those cheaper means in order to benefit from this advancement. When and how, in today's economy will we have sufficient initiatives to bridge this gap? At least, I heard today, that Obama's stimulus proposal will include $50 million to the Nat'l Endow. for the Arts. It's a start...

- We are now by default made to return to important conversations and cultural observations of our place, our growth, our importance, and our contributions to society, now that the "bling bling" era of self-serving materialistic distraction has now been brought to a sudden and jarring halt.

-We must now consider how to quantify the significance or gravitas of Michelle Obama's win, how black women will be viewed, and what will now be expected of them, of us; the excitement and concern of what it means to suddenly be shifted from invisibility to complete and utter important symbolic visibility..., hers, her daughters, and thus our sudden and near ubiquitous image now and forever and positively included in the photographic history of America...of the world!

Lola Ogunnaike was repeatedly noting that in her experience, she was constantly responding to comments of how her presence as a dark-skinned black woman on CNN was of particular importance to many sisters, that the meaning of this has apparently swelled with Michelle Obama's ascent to First Lady in the White House.

-There was too, a question by Elvis Mitchell whether all people of color, will disappear AFTER Obama - like how TV land looked post the Cosby Show? Could this attention be just for the moment? Where will we be in four years? And someone asked too - what is Black History Month now going to be like - and will it become redundant?

There were indeed SO many things I wanted to discuss regarding my understanding of the significance of this time - through the eyes of an immigrant, a perpetual immigrant...a West African (Sierra Leoneon born), raised, and schooled in the Caribbean, British, and American societies, seeped in the social sensitivities of the black diaspora from three very distinct points of view. I asked what I thought was quite an important question:

So now that our image has been positively redesigned in the likeness of the Obamas for other 'races' - what will this do for relationships WITHIN the black race? How does this address intra-racism? And since this panel is specifically about black women - how does this affect the relationships among all sisters of color?


More anon - but in the meantime...I've found the Black List playlist on youtube. Check it:

Saturday, 27 September 2008

lines|music|poetry|humanity - the words and voice of Ben Okri

"We plan our lives according to a dream that came to us in our childhood, and we find that life alters our plans. And yet, at the end, from a rare height, we also see that our dream was our fate. It's just that providence had other ideas as to how we would get there. Destiny plans a different route, or turns the dream around, as if it were a riddle, and fulfills the dream in ways we couldn't have expected."






"Reading, like writing, is a creative act. If readers only bring a narrow range of themselves to the book, then they'll only see their narrow range reflected in it."


And speaking of narrow views -  this is such a poignant talk on the danger of such limitations - seen on TED:  "Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding."


Chimamanda Adichie: The danger of a single story








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