The Black List Project and the conversations it provokes..

I must sleep and digest what I just saw and heard at the Brooklyn Museum today - and then return to this entry. But for starters - I was invited by another female photographer of color, Amanda Adams Louis, to attend a special event, a panel discussion "What's Black Got To Do with It?" at the Iris and B. Gerald Cantor Auditorium. The summary of this was as follows:

This panel discussion, moderated by Elvis Mitchell, interviewer for The Black List Project, continues the exhibition’s consideration of how race, history, and each individual's striving shape and enrich their stories of success. The discussion will center on what the next four years might hold for Black women now that First Lady Obama and her daughters have moved into the White House. Panelists will include Studio Museum in Harlem Director and Chief Curator Thelma Golden, acclaimed artist Lorna Simpson , and CNN Entertainment Correspondent Lola Ogunnaike.

I had wanted very much to see this project featuring large format portraits by Timothy Greenfield Saunders - so the topic of discussion was simply an added bonus. Sitting in that auditorium and listening to these women, and to Elvis Mitchell, made me realize and remember a simple truth...it is really important to congregate, to gather and share your experience. I heard things that I thought in my self imposed isolation were my own concerns or observations. Gosh what a shock to realize how common it was that women of color do so revel in Michelle Obamas skin tone and features, and what meaning it brings to how we feel we will be perceived henceforth.



There were many areas of discussion enveloped in the question of "What's Black Got to do with it?" such as:

-How we will weather the complete destabilization, well, destruction of our federal funding for the arts, and how that will challenge particularly non-commercial artists of color. Lorna Simpson made some incredible points about the technological inequities that exist, where access and ability to participate in the new world of internet exposure is sharply limited among people of color, particularly in the poor nations of the world, in Africa and the Caribbean. The irony is that its much cheaper to get your work seen in today's digital world - but you must have access to those cheaper means in order to benefit from this advancement. When and how, in today's economy will we have sufficient initiatives to bridge this gap? At least, I heard today, that Obama's stimulus proposal will include $50 million to the Nat'l Endow. for the Arts. It's a start...

- We are now by default made to return to important conversations and cultural observations of our place, our growth, our importance, and our contributions to society, now that the "bling bling" era of self-serving materialistic distraction has now been brought to a sudden and jarring halt.

-We must now consider how to quantify the significance or gravitas of Michelle Obama's win, how black women will be viewed, and what will now be expected of them, of us; the excitement and concern of what it means to suddenly be shifted from invisibility to complete and utter important symbolic visibility..., hers, her daughters, and thus our sudden and near ubiquitous image now and forever and positively included in the photographic history of America...of the world!

Lola Ogunnaike was repeatedly noting that in her experience, she was constantly responding to comments of how her presence as a dark-skinned black woman on CNN was of particular importance to many sisters, that the meaning of this has apparently swelled with Michelle Obama's ascent to First Lady in the White House.

-There was too, a question by Elvis Mitchell whether all people of color, will disappear AFTER Obama - like how TV land looked post the Cosby Show? Could this attention be just for the moment? Where will we be in four years? And someone asked too - what is Black History Month now going to be like - and will it become redundant?

There were indeed SO many things I wanted to discuss regarding my understanding of the significance of this time - through the eyes of an immigrant, a perpetual immigrant...a West African (Sierra Leoneon born), raised, and schooled in the Caribbean, British, and American societies, seeped in the social sensitivities of the black diaspora from three very distinct points of view. I asked what I thought was quite an important question:

So now that our image has been positively redesigned in the likeness of the Obamas for other 'races' - what will this do for relationships WITHIN the black race? How does this address intra-racism? And since this panel is specifically about black women - how does this affect the relationships among all sisters of color?


More anon - but in the meantime...I've found the Black List playlist on youtube. Check it: