Within the ensuing comment thread - supporting and opposing points were made by a few of us, regarding Roots and also cited Twelve Years A Slave, the effects on collective thinking or subjective feeling, the Hollywood system and the projects supported within it, the image and history of Africans and the diaspora in Western media, comparisons between this and that of other groups who have suffered genocidal atrocities in history such as the Jews, and so on. I offer this for context for what you will read below - which I share with few grammatical alterations to the words I typed in responsive flow on Facebook.
Comment:
A hard ideas for some - and I agree SO much with Barbara on this - is that every black woman I feel would have it in their (epi)genetic memory to conjure up the pain offered in that performance, to offer the complexity of otherness in a scene of being whipped by your rapist who punishes you for being so irresistibly and confusingly regal in your natural beauty. Yes I said it.
Now…for good measure, I am so grateful she did win that Oscar - and it did actually serve beyond her, in that her clout is every bit the reason Producers could be convinced to fund Eclipsed on Broadway which I just saw - a show written by, about, and performed by an all black/African woman ensemble which is now nominated for 6 Tonys . Who would care otherwise? No one - that's who. And that is the current truth.
Having the balance of who a People are in the fullness of their history allows the rest of our human family to full grasp the land were were kidnapped from and what was TAKEN from Africans and Afro-Descendants. You cannot fully empathize with a story when you only have the gruesome fragments of it, or a dehumanized view of the people who suffered the assault. Human beings relate to loss. Plain and simple. And most of the world still has NO clue what was lost.
Most people do not know of the Kingdoms and Empires of Africa; the religions, mythologies, and languages of the continent; the epic sagas of family, love and war; the scholarship or monuments; the artistic, cultural, gastronomical, and technological impact the continent had on the world through exploration, travel, and innovation LONG before European interference - neigh existence. And why? Because that information was destroyed or denied dissemination …and to our discussion here, still is, by the distinct lack of funding of such stories ...in Hollywood, our educational institutions, our governments...
There is zero shortage of the same in many other cultures but especially the Euro-colonial culture we have all been raised in, so relativity and catharsis seem easier to conjure for many, and thus more profitable for information institutions. Just look at the rage we are contending with in this country now, among all 'races' and cultures - this is not just borne of violent history, that is maintained by a lack of complete information to humanize that history.
By all means - make and see more Roots - but can we also dig for deeper ones than Kunte Kinte? I strongly believe it is there that the diaspora and all other cultures of the world will come to really understand who WE are!
(Sorry for the blog post on your thread Ian - lol)
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...touche. :-)