The Black List Project and the conversations it provokes..

I must sleep and digest what I just saw and heard at the Brooklyn Museum today - and then return to this entry. But for starters - I was invited by another female photographer of color, Amanda Adams Louis, to attend a special event, a panel discussion "What's Black Got To Do with It?" at the Iris and B. Gerald Cantor Auditorium. The summary of this was as follows:

This panel discussion, moderated by Elvis Mitchell, interviewer for The Black List Project, continues the exhibition’s consideration of how race, history, and each individual's striving shape and enrich their stories of success. The discussion will center on what the next four years might hold for Black women now that First Lady Obama and her daughters have moved into the White House. Panelists will include Studio Museum in Harlem Director and Chief Curator Thelma Golden, acclaimed artist Lorna Simpson , and CNN Entertainment Correspondent Lola Ogunnaike.

I had wanted very much to see this project featuring large format portraits by Timothy Greenfield Saunders - so the topic of discussion was simply an added bonus. Sitting in that auditorium and listening to these women, and to Elvis Mitchell, made me realize and remember a simple truth...it is really important to congregate, to gather and share your experience. I heard things that I thought in my self imposed isolation were my own concerns or observations. Gosh what a shock to realize how common it was that women of color do so revel in Michelle Obamas skin tone and features, and what meaning it brings to how we feel we will be perceived henceforth.



There were many areas of discussion enveloped in the question of "What's Black Got to do with it?" such as:

-How we will weather the complete destabilization, well, destruction of our federal funding for the arts, and how that will challenge particularly non-commercial artists of color. Lorna Simpson made some incredible points about the technological inequities that exist, where access and ability to participate in the new world of internet exposure is sharply limited among people of color, particularly in the poor nations of the world, in Africa and the Caribbean. The irony is that its much cheaper to get your work seen in today's digital world - but you must have access to those cheaper means in order to benefit from this advancement. When and how, in today's economy will we have sufficient initiatives to bridge this gap? At least, I heard today, that Obama's stimulus proposal will include $50 million to the Nat'l Endow. for the Arts. It's a start...

- We are now by default made to return to important conversations and cultural observations of our place, our growth, our importance, and our contributions to society, now that the "bling bling" era of self-serving materialistic distraction has now been brought to a sudden and jarring halt.

-We must now consider how to quantify the significance or gravitas of Michelle Obama's win, how black women will be viewed, and what will now be expected of them, of us; the excitement and concern of what it means to suddenly be shifted from invisibility to complete and utter important symbolic visibility..., hers, her daughters, and thus our sudden and near ubiquitous image now and forever and positively included in the photographic history of America...of the world!

Lola Ogunnaike was repeatedly noting that in her experience, she was constantly responding to comments of how her presence as a dark-skinned black woman on CNN was of particular importance to many sisters, that the meaning of this has apparently swelled with Michelle Obama's ascent to First Lady in the White House.

-There was too, a question by Elvis Mitchell whether all people of color, will disappear AFTER Obama - like how TV land looked post the Cosby Show? Could this attention be just for the moment? Where will we be in four years? And someone asked too - what is Black History Month now going to be like - and will it become redundant?

There were indeed SO many things I wanted to discuss regarding my understanding of the significance of this time - through the eyes of an immigrant, a perpetual immigrant...a West African (Sierra Leoneon born), raised, and schooled in the Caribbean, British, and American societies, seeped in the social sensitivities of the black diaspora from three very distinct points of view. I asked what I thought was quite an important question:

So now that our image has been positively redesigned in the likeness of the Obamas for other 'races' - what will this do for relationships WITHIN the black race? How does this address intra-racism? And since this panel is specifically about black women - how does this affect the relationships among all sisters of color?


More anon - but in the meantime...I've found the Black List playlist on youtube. Check it:

What Is It to Live Creatively?

The question I've pondered my whole life is "what is it to live a creative life?" Is it to search, or to find your purpose and passionately without fear or caution, chart a course of action to pursue this singular purpose and fulfill it? Or is it to let the essence that is YOU change and unfold anew, as you keep yourself open to any and all adventures you may happen upon; to create and share multiple textures of self and to be rewarded and fulfilled by the experience itself?

I've tried both and neither way has settled the question. The traditional paradigm that we all exist in - particularly in America I think, offers little permission for the latter, and few rewards for the obedient follower of the former. There is great monetary reinforcement and useful social gain to opt for another path - that is, to live the pre-meditated, strategic life: get the traditional degree - one that has been proven to be socially necessary and profitable, and get it from the right institution; attend the right parties; join the acceptable clubs; learn the unoffensive, agreeble language; think critically only when a format is set as to how to do so acceptably; invest here; buy that; live here; eat 2000 calories a day; laugh at this volume; marry that person; procreate by X age; don't curse; never share; expose nothing; eat your vegetables; drink more water; etc, etc. By the time you've satisfied even half of this list perhaps 20 years have gone by and suddenly you're gripped by a frighting and urgent need for a DO-OVER, back when you knew who you were and what your taste was, how to take risks, and the fact that you hate water and like to use the word "fuck". Sound familiar? Perhaps because we're horse fed this shit, only about living as a straight player BY the straight players as it were; the mysteriously irrefutable and unidentified 'they' we always hear about...

But what about those of us who live only in a state of risk? We wake up one day too from our non-traditional high-on-life trip, only to realize that we're on the outside with no way of buying our way back in. The mid-life crisis of the artist??? What in Christ's name is that? Well, if you didn't sell your soul to Big Brother - you wake up and realize that you made the decision to be financially and socially isolated from the majority of 'swimming sleeping minions', who you now idolize from inside your 'empty' fish bowl, sealed and seated in a vast tank of unreachable toys and comforts, while their faces press in to your globe wishing to experience for a day what it could be like to be such a liberated and exotic misfit. Incredible.

Could the grass be greener only and simply because we have our backs turned to our own lawn while craning our necks over the fence to get a peep at the garden next door?

To live creatively I believe is to live honestly; in truth; however that is to be manifested by you - whatever that means, so long as it is satisfying an intrinsic need within you to feel, experience, create, or express, and NOT to satisfy some external requirement or subscription on how to live out the limited days you have on this earth.

With that - I leave you with a trailer for a documentary I intend to watch VERY shortly, about someone who has done just that: Dr. Hunter S. Thompson





see link below also.  serious talk and hard truth with eerily current relevance.

Top Ten Hunter S. Thompson Quotes on Alternative Reel

SeBiArt Hosts Video Blog on YARDEDGE - 1st Interview - SPUR TREE LOUNGE, NYC

PART I

PART II

1 COMMENT FOR THIS ENTRY

germaican_lady

Laaawwed, mi hungry now!! ...lol... Oh, by the way, what DON'T you do, girl?

Posted by GermaicanLady on Sunday, January 18, 2009 - 21:50
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